Bill Binkelman reviewed Lost Canyons for New Age Reporter and we thought we'd like to share it with you...
"It alarms me that an artist of Scott August's caliber managed to release five recordings (his sixth is coming very soon) and I have only now heard his music. Guess I'm not such an icon in the industry after all, am I? I named this to my best of 2007 list, but it's even better than that. I'd place it in my top ten for Native-influenced fusion music, period. Yeah, high praise, but after playing this album at least ten times prior to writing this review, I'm sure it belongs there.
August plays way too many specific instruments to recount here, but among them are flutes (primarily the Anasazi flute which this recording seems to pay tribute to), piano, percussion, guitars, ethnic instruments such as the kalimba gamelan, and "textures" which I take to mean the application of synthesizers in assorted permutations. In this last aspect, August should give lessons to others as his dexterous superb blending of synths adds just the right amount to any song on which it's featured. Never too over the top yet also not so subtle as to make the listener question whether anything has been added at all. He's also an amazing percussionist across the full spectrum of the drums and other instruments which he uses on the CD.
Variety is the catch word here, as Lost Canyons contains everything from the plaintive beauty of the opening "Morning Star" (Anasazi flute, alabaster chimes and textures, the latter two coming into play later in the song) to the lively "Raven Dance" which intermixes percussion from just about every continent with guitar, piano and Tiger Maple flute. And those are just the first two songs on the album"
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