Showing posts with label Flute Techniques. Show all posts
Showing posts with label Flute Techniques. Show all posts

Friday, June 02, 2006

Playing your first scale on a Native American flute

NATIVE AMERICAN FLUTE PLAYING BASICS.

In this article we will cover playing your first Native American flute scale and begin to familiarize yourself with the basic fingering and notes of this wonderful instrument.

There are many books and videos about how to get started on the Native American flute. Odds are when you purchased your new NAF you may have got one from the maker. But just in case you don’t have one, you lost it or you need a quick, easy refresher we’ll quickly go over the basics in this article, along with some handy playing tips that you can use all the time.

EASY TO PLAY.
The Native American flute is a fipple flute. There are many fipple flutes around the world. European recorders, tin whistles and penny whistles and ocarinas to name a few. Fipple flutes, unlike silver flutes, pan-pipes and other wind instruments do not require you to produce the sound with the shape of your mouth. This makes playing a musical note very easy. You just put your lips to the mouthpiece and blow. In fact you can do it without covering any of the finger holes.

Go ahead and try it now. Leave open all the holes and just blow into the mouthpiece.

HOW TO HOLD YOUR NAF
Hold your flute with the first three fingers from each hand and both your thumbs. The flute should be at about 45˚ from your body. Stand up straight, hunching your shoulders will hinder your breathing. The holes are covered with the first three fingers from each hand. Most people cover the top three holes with their left hand and the bottom three holes with their right hand. However, you may switch hands if you feel that is more comfortable. Use the fleshy pads of your finger-tips, not the tips themselves. This helps prevent air from leaking past your fingers.

Let’s assign numbers to the finger holes of the NAF, starting from the bottom and working our way up to the top of the flute. The hole closest to the bottom of the flute is Hole #1, the next one up is Hole #2, then hole #3, and so one until the last one hole which is hole #6. This way of numbering conforms to the basic scale of the flute. (fig. 1)

    hole numbers
Fig. 1 The finger holes of a six holed NAF

READ THE REST IN SCOTT AUGUST' NEW BOOK:
The Complete Guide to the Native American Style Flute


Get your copy today at Cedar Mesa Music!


© 2011 Cedar Mesa Music. All rights reserved.

Saturday, January 14, 2006

How to buy a Native American flute

From Chapter One of
The Complete Guide to the
Native American Style Flute


Many people have asked me about what I look for when purchasing a Native American flute. There are many factors to consider, and in this post we'll cover some of ones I consider the most important. Hopefully these tips will help you purchase a flute even if you've never played one before.

The top 5
When I look at a Native American flute (NAF) with the thought of purchasing it, there are five major things that I look for in the following order:
  • Quality of Workmanship
  • Quality of Sound
  • Tuning
  • Fingering
  • Ease of Playing
I consider all of the points above as a whole before I go ahead and make a purchase. However, one can make a compromise on some of the criteria listed above. As we will see, every player is looking for something a little different, and it should be noted that the the "Perfect Flute" doesn't exist. Keep in mind that Native American flutes are hand-made, so no two are alike. I never expect to find the perfect flute, but rather enjoy each one in my collection for its unique qualities.

Quality of Workmanship
The first thing I look for in a NAF is the workmanship. Simply put, is the flute well made? For example, is the tube perfectly, or near perfectly round? Are the wall of the bore the same thickness through out? Are the seams straight and even? Is there any glue noticeable? Are the finger holes clean, and round or are they ragged and oddly shaped? Take a very close look at the sound hole. This is very important. Are the edges clean? Does the block line up with the sound hole or is it crooked even when the block is lined up with the body of the flute?
We'll talk more about block placement in the How to look like a Pro when buying a Native American flute section later.
Look for any slivers of wood in the sound hole, the finger holes or the inside of the flute. These disturb the air flow and might be a sign of a maker not paying attention to detail. Take your finger and feel the inside of the flute. Is it rough or smooth? Smooth is better.

Fancy or Museum Quality Flutes
Personally I am not as impressed by fancy blocks, exotic woods, intricate carvings or inlays as I am the basic workmanship of the flute. I have seen many flutes that look great as works of art, but upon closer inspection are not well made flutes. This does not mean that all Fancy Flute are not well made, just don't be impressed by looks alone.

When buying from a recommended or well known maker this is not something you need to worry about. The top flute makers today are expert craftsman and produce flutes that are both excellent instruments and incredible works of art. They stand behind their work and want you to be happy with your purchase. Also, as I record my flutes, I know that my microphones don’t care whether a flute is fancy or not. They only care if it sounds good. So I tend to not spend the extra money on flutes that have a lot of decorative elements like carvings and stone inlays.

Pick your flute to fit your needs. If you are just starting and plan to really learn how to play, then a simple, plainer flute is better to start with. If you want something to hang on your wall, well that’s another story. Both options are equally valid.

READ THE REST IN SCOTT AUGUST'S NEW BOOK The Complete Guide to the Native American Style Flute


Learn More
Get Your Copy Today!

© 2011 Cedar Mesa Music. All rights reserved.